tag:blogger.com,1999:blog-4846808470869257796.post2624407217897553887..comments2024-01-23T06:13:28.049-08:00Comments on Carlene Dingman Atwater: Watercolor on print paperc.dingmanhttp://www.blogger.com/profile/12787524207882016265noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-4846808470869257796.post-12588592040404369952017-07-03T06:08:20.143-07:002017-07-03T06:08:20.143-07:00I need to do a side by side comparison with my hot...I need to do a side by side comparison with my hot press and cold press regular watercolor paper. I see where Fabriano has a soft press paper. A friend of mine uses it because she glazes multiply layers. It is listed as between hot and cold pressed. c.dingmanhttps://www.blogger.com/profile/12787524207882016265noreply@blogger.comtag:blogger.com,1999:blog-4846808470869257796.post-38976745689349698272017-07-02T15:21:34.835-07:002017-07-02T15:21:34.835-07:00I've read and been told that watercolor paper ...I've read and been told that watercolor paper prior to 1850 or or so was closer to our printmaking papers, like Arches Cover or BFK , or as you say, "softer" or more absorbent. After 1850 papers were more heavily sized. I wonder if that quality was more conducive to the oil painting like style from then?Anonymoushttps://www.blogger.com/profile/12779100576132035927noreply@blogger.com